An hour's wait at Saint-Lazare train station in Paris, two women complaining that men 'are false: I thought my husband was with his mother in Orleans...Hour's wait at Saint-Lazare train station in Paris
Mary Cassatt , The Boating Party, 1893-4, oil on canvas, 90 x 117.3 cm , National Gallery, Washington, D.C.The Boating Party by Mary CassattMary Cassatt, Three People
The sick child, No. 2, Cassatt, Mary, 1844-1926, Date Created: 1889, Drypoints, Extent: 1 print on cream laid paper: drypoint, image 22.9 x 15.6 cm....The sick child
Making the Famous Dried Fish, c. 1841-1844, Utagawa Hiroshige; Publisher: Ezakiya Kichibei, Japanese, 1797 - 1858, 7 7/8 × 12 7/16 in. , Woodblock...Numazu: Making the Famous Dried Fish
No.34 Futakawa, 1837-1844, Utagawa Hiroshige; Publisher: Maruya Seijiro, Japanese, 1797 - 1858, 8 1/2 x 13 7/16 in. 8 1/2 x 13 7/16 in. , Woodblock...No.34 Futakawa
Self-Portrait and Lotus, first half 19th century, Sugai Baikan, Japanese, 1784 - 1844, 22 1/2 × 23 1/4 in. 23 × 23 in. 76 1/4 × 28 7/16 in. , Ink on...Self-Portrait and Lotus
Home Scene, Thomas Eakins, American, 1844-1916, Oil on canvas, ca. 1871, 21 7/16 x 18 in., 54.4 x 45.7 cm.Home Scene
Une Lecon d'AgrEment en 1844, Honore Daumier, French, 1808-1879, Lithograph on newsprint, laid down on wove paper, February 29 Sheet: 9 7/16 x 13...Une Lecon d'AgrEment en 1844
Engelmann, Print made by Godefroy Engelmann, 1788–1839, French, after Gaston Jean Coindre, 1844–1914, French, Printed by Godefroy Engelmann,...G. Engelmann, Print made by Godefroy Engelmann, 1788–1839, French, after Gaston Jean Coindre, 1844–1914, French, Printed by Godefroy Engelmann, 1788–1839, French, undated, Lithograph on moderately thick, slightly textured, beige wove paper with gray
Mary Cassatt, , American, 1844 - 1926, Afternoon Tea Party, 1890-1891, drypoint and aquatint with gold paint on wove paper, plate: 34.7 x 26.5 cm ,...Mary Cassatt
Red-Scar, the Residence of William Cross, Esquire, Thomas Higham, 1796–1844, British, after George Pickering, c.1794–1857, British, Published by...Red-Scar, the Residence of William Cross, Esquire, Thomas Higham, 1796–1844, British, after George Pickering, c.1794–1857, British, Published by Fisher, Son & Co., active 1821–1848, British, 1832, Etching on moderately thick, slightly textured, beigeStately Home, Etching
The World is Folly's Toy, Print made by Alfred Henry Forrester, 1804–1872, British, after Alfred Henry Forrester, 1804–1872, British, Printed by...The World is Folly's Toy, Print made by Alfred Henry Forrester, 1804–1872, British, after Alfred Henry Forrester, 1804–1872, British, Printed by Standidge & Co, active 1836–1849, British, Published by J & F Harwood, 1820s–1844, British, undated, Li
The Follies of Costume, Print made by Alfred Henry Forrester, 1804–1872, British, after Alfred Henry Forrester, 1804–1872, British, Printed by...The Follies of Costume, Print made by Alfred Henry Forrester, 1804–1872, British, after Alfred Henry Forrester, 1804–1872, British, Printed by Standidge & Co, active 1836–1849, British, Published by J & F Harwood, 1820s–1844, British, undated, Lith
James Northcote, R.A., Print made by Chevalier Ignace Joseph de Claussin, 1766–1844, French, after Prince Hoare, 1755–1834, British, Published by...James Northcote
Venus, after Masters of Tarrochi, Print made by Arthur Burgess, 1844–1886, undated, Wood-engraving on medium, slightly textured, beige laid paper,...Venus
Morning Prayer, Print made by Charles West Cope, 1811–1890, British Etching on thick, slightly textured, cream card with cream chine colle, Sheet: 6...Morning Prayer.Profile View, Christianity, Women
Royal Artillery Repository Exercises John Grant, Died 1873, after John Grant, Died 1873 Aquatint, hand-colored on moderately thick, slightly...Royal Artillery Repository Exercises.
William James Bennett, , American, born England, c. 1787 - 1844, West Point, from Phillipstown, published 1831, color aquatint with touches of...William James Bennett
Mary Cassatt, , American, 1844 - 1926, The Bath, 1890-1891, transferred softground with graphite, sheet: 34.13 × 27.46 cm .The Bath.
Mary Cassatt, , American, 1844 - 1926, The Bath, 1890-1891, graphite and black crayon, sheet: 34.2 × 27.4 cm .The Bath.
Mary Cassatt, , American, 1844 - 1926, Under the Horse-Chestnut Tree, 1896-1897, color drypoint and aquatint, plate: 40.9 x 29 cm , sheet: 52.3 x...Mary CassattMary Cassatt
Mary Cassatt, , American, 1844 - 1926, The Letter, 1890-1891, color drypoint and aquatint, plate: 36.6 x 22.6 cm , sheet: 47.7 x 30.8 cm .Mary Cassatt
John Hill, , American, born England, 1770 - 1850, William James Bennett, , American, born England, c. 1787 - 1844, Henry J. Megarey, , American,...Niagara Falls from Foot of Staircase.
Mary Cassatt, , American, 1844 - 1926, Mimi as a Brunette, c. 1889, drypoint in black, plate: 26.99 × 21.43 cm .Mimi as a Brunette.
Mary Cassatt, , American, 1844 - 1926, Margot Leaning against Reine's Knee, c. 1902, graphite on wove paper, sheet: 50.2 × 31.6 cm .Margot Leaning against Reine's Knee.
Mary Cassatt, , American, 1844 - 1926, Interior: On the Sofa, c. 1883, softground etching in black on wove paper, plate: 14 x 21.4 cm , sheet: 17.2 x...Mary Cassatt, (artist), American, 1844 - 1926, Interior: On the Sofa, c. 1883, softground etching in black on wove paper, plate: 14 x 21.4 cm (5 1/2 x 8 7/16 in.), sheet: 17.2 x 27 cm (6 3/4 x 10 5/8 in.)
Boxhill from West Humble Lane, Alexander Monro, 1802–1844, after Henry Edridge, 1769–1821, British, undated, Watercolor over graphite on moderately...Boxhill from West Humble Lane, Alexander Monro, 1802–1844, after Henry Edridge, 1769–1821, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 1/4 x 19 7/16 inches (33.6 x 49.4 cm), birch trees
Staithes, Yorkshire, Francis Nicholson, 1753–1844, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9...Staithes, Yorkshire, Francis Nicholson, 1753–1844, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 x 12 7/16in. (23.2 x 31.6cm) and Sheet: 9 1/4 × 12 1/2 inches (23.5 × 31.8 cm), beach, boat, cliff
Mary Cassatt, , American, 1844 - 1926, The Loge, c. 1878-1880, oil on canvas, overall: 79.8 x 63.8 cm , framed: 111.1 x 95.3 cm .Mary CassattMary Cassatt
Mary Cassatt, , American, 1844 - 1926, The Boating Party, 1893/1894, oil on canvas, overall: 90 x 117.3 cm , framed: 112.1 x 137.8 cm .Mary CassattMary Cassatt
Mary Cassatt, , American, 1844 - 1926, The Bath, 1890-1891, color drypoint, softground etching, and aquatint on wove paper, plate: 31.9 x 24.9 cm ,...Mary CassattMary Cassatt
Henri Rousseau, , French, 1844 - 1910, Rendezvous in the Forest oil on canvas, overall: 92 x 73 cm , framed: 107.9 x 89.5 x 8.8 cm .Rendezvous in the Forest.Henri Rousseau
[Two Boys Playing at the Creek, July 4, 1883] Albumen silver print , 88 x 111 cm , Photographs, Thomas Eakins .Two Boys Playing at the Creek, July 4, 1883, 1883, Albumen silver print , 88 x 111 cm (3 7/16 x 4 3/8 in), Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844-1916 Philadelphia, Pennsylvania)
[Three Children and a Dog Playing in the Creek, July 4, 1883] Albumen silver print , 89 x 112 cm , Photographs, Thomas Eakins .Three Children and a Dog Playing in the Creek, July 4, 1883, 1883, Albumen silver print , 89 x 112 cm (3 1/2 x 4 7/16 in), Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844-1916 Philadelphia, Pennsylvania)
Study for The Critic Graphite; framing lines in graphite, probably by the artist, Sheet: 8 7/16 × 10 3/4 in. , Drawings, Wilhelm Maria Hubertus Leibl...The Critic; verso: Study for The Critic
[Landscape with Cottage] Daguerreotype, 16.4 x 21.7 cm , Photographs, Marie-Charles-Isidore Choiselat , Stanislas Ratel , In the first decade of...Landscape with Cottage.
Plate 11 from Othello , etched 1844, reprinted 1900, Etching, engraving, roulette, and drypoint on chine collé; second edition , plate: 14 7/16 x 10...Yet she must die': plate 11 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts), plate: 14 7/16 x 10 3/8 in. (36.7 x 26.3 cm), Prints, Théodore Cha
Plate 2 from Othello Etching, engraving, roulette, and drypoint on chine collé, plate: 14 7/16 x 10 3/8 in. , Prints, Théodore Chassériau , In 1844...She thank'd me': plate 2 from Othello (Act 1, Scene 3), 1844, Etching, engraving, roulette, and drypoint on chine collé, plate: 14 7/16 x 10 3/8 in. (36.6 x 26.3 cm), Prints, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856
Grand Course au Clocher Academique, No. 5 Hand-colored lithograph, sheet: 14 9/16 x 20 7/16 in. , Prints, J. J. Grandville .Grand Course au Clocher Academique.
Maternal Caress, ca. 1891, Compressed charcoal and graphite over some charcoal lines, sheet: 14 1/2 x 10 7/16 in. , Drawings, Mary Cassatt .Maternal Caress.
In the Opera Box, ca. 1880, Drawing for soft ground transfer, sheet: 5 13/16 x 4 7/16 in. , Drawings, Mary Cassatt .In the Opera Box.
Study for The Coiffure , ca. 1891, Graphite with softground on the verso , sheet: 5 13/16 x 4 7/16 in. , Drawings, Mary Cassatt .Study for The Coiffure.
Grand Course-au-Clocher Académique, Planche 1: Perruques Académiques Hand-colored lithograph, sheet: 14 7/8 x 20 7/16 in. , Prints, Auguste Desperret...Grand Course-au-Clocher Académique, Planche 1: Perruques Académiques, 1844, Hand-colored lithograph, sheet: 14 7/8 x 20 7/16 in. (37.8 x 51.9 cm), Prints, Auguste Desperret (French, died 1865), After J. J. Grandville (French, Nancy 1803–1847 Vanves)
Evening, New York Harbor Etching, Plate: 9 3/4 × 13 7/16 in. , Prints, Henry Farrer .Evening, New York Harbor, 1884, Etching, Plate: 9 3/4 × 13 7/16 in. (24.7 × 34.2 cm), Prints, Henry Farrer (American, London 1844–1903 New York)
The Old Revenue Office, Whitehall Etching, trial proof, plate: 7 7/16 x 5 3/8 in. , Prints, Henry Farrer .The Old Revenue Office, Whitehall (from Scenes of Old New York), 1870, Etching, trial proof, plate: 7 7/16 x 5 3/8 in. (18.9 x 13.7 cm), Prints, Henry Farrer (American, London 1844–1903 New York)
Peasant Mother and Child, ca. 1894, Drypoint and aquatint, printed in color from three plates; tenth state of ten, plate: 11 1/2 x 9 7/16 in. ,...Peasant Mother and Child, ca. 1894, Drypoint and aquatint, printed in color from three plates; tenth state of ten, plate: 11 1/2 x 9 7/16 in. (29.2 x 24 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Margot Resting Arms on Back of Armchair Drypoint; second state, restrike, Plate: 8 7/16 x 5 7/8 in. , Prints, Mary Cassatt .Margot Resting Arms on Back of Armchair, 1923, Drypoint; second state, restrike, Plate: 8 7/16 x 5 7/8 in. (21.5 x 15 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Bill Lying on His Mother's Lap, ca. 1889, Soft-ground and aquatint; fourth state of five, plate: 7 1/16 x 5 7/16 in. , Prints, Mary Cassatt .Bill Lying on His Mother's Lap, ca. 1889, Soft-ground and aquatint; fourth state of five, plate: 7 1/16 x 5 7/16 in. (17.9 x 13.8 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
En Déshabillé, ca. 1889, Drypoint; only state, plate: 7 3/16 x 5 7/16 in. , Prints, Mary Cassatt .En Déshabillé, ca. 1889, Drypoint; only state, plate: 7 3/16 x 5 7/16 in. (18.3 x 13.8 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
The Folding Chair, ca. 1883, Etching; only state, plate: 8 1/4 x 6 7/16 in. , Prints, Mary Cassatt .The Folding Chair, ca. 1883, Etching; only state, plate: 8 1/4 x 6 7/16 in. (21 x 16.4 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Prophecy Explained, Thomas Rowlandson , After George Moutard Woodward , Joseph Bonaparte , September 17 Hand-colored etching, Sheet: 9 1/2 × 13 7/16...Prophecy Explained.
Kōno Bairei, Bairei Picture Album of One Hundred Birds , Japan, Meiji period , Kōno Bairei , 1881–84, Japan, Set of three polychrome woodblock...Kōno Bairei
Construction of Rock & Brush Dam, Low Water; Henry P. Bosse ; 1891; Cyanotype; 26.5 x 33.2 cm .Construction of Rock & Brush Dam, Low Water; Henry P. Bosse (American, 1844 - 1903); 1891; Cyanotype; 26.5 x 33.2 cm (10 7,16 x 13 1,16 in.)
Dredge Phoenix; Henry P. Bosse ; 1885; Cyanotype; 26.5 x 33.2 cm .U.S. Dredge Phoenix; Henry P. Bosse (American, 1844 - 1903); 1885; Cyanotype; 26.5 x 33.2 cm (10 7,16 x 13 1,16 in.)
Entrance to Guard Lock, D.M. Rapids Canal, Low Water; Henry P. Bosse ; 1889; Cyanotype; 26.5 x 33.3 cm .Entrance to Guard Lock, D.M. Rapids Canal, Low Water; Henry P. Bosse (American, 1844 - 1903); 1889; Cyanotype; 26.5 x 33.3 cm (10 7,16 x 13 1,8 in.)
Mechanic's Rock, Low Water; Henry P. Bosse ; 1889; Cyanotype; 26.5 × 33.2 cm .Mechanic's Rock, Low Water; Henry P. Bosse (American, 1844 - 1903); 1889; Cyanotype; 26.5 × 33.2 cm (10 7,16 × 13 1,16 in.)
Front Street - Davenport, Iowa, During High Water; Henry P. Bosse ; Davenport, Iowa, United States; 1888; Cyanotype; 26.5 x 33.3 cm .Front Street - Davenport, Iowa, During High Water; Henry P. Bosse (American, 1844 - 1903); Davenport, Iowa, United States; 1888; Cyanotype; 26.5 x 33.3 cm (10 7,16 x 13 1,8 in.)
Richtman's Quarry at Fountain City, Wisconsin; Henry P. Bosse ; Fountain City, Wisconsin, United States, North America; 1891; Cyanotype; 26.5 x 33.3...Richtman's Quarry at Fountain City, Wisconsin; Henry P. Bosse (American, 1844 - 1903); Fountain City, Wisconsin, United States, North America; 1891; Cyanotype; 26.5 x 33.3 cm (10 7,16 x 13 1,8 in.)
Fruit Piece; William Henry Fox Talbot ; Reading, England; 1844; Salted paper print; 16.3 × 19.8 cm .A Fruit Piece; William Henry Fox Talbot (English, 1800 - 1877); Reading, England; 1844; Salted paper print; 16.3 × 19.8 cm (6 7,16 × 7 13,16 in.)
Cloisters of Lacock Abbey; William Henry Fox Talbot ; Reading, England; 1844; Salted paper print; 16 x 21.4 cm .Cloisters of Lacock Abbey.